Revolution # one

One thousand pieces

2011-12-02T01:00:00.000-08:00

Ramon Grosos, Loft 08, oil on wood

One thousand pieces: artworks by Ramon Grosos (Romania), Zeinab Nour (Egypt), Alberto Besson (Italy).

Ramon Grosos, Loft 01

Ramon Grosos, Loft 11, oil on wood

Ramon Grosos, AV 01

Ramon Grosos, BW session #05, oil on canvas

One thousand pieces

2011-12-02T00:30:00.000-08:00

Zeinab Nour, When we are one, 34x25 cm

One thousand pieces: artworks by Ramon Grosos (Romania) , Zeinab Nour (Egypt), Alberto Besson (Italy).

http://zeinabnour.artistportfolio.net/

One thousand pieces

2011-12-02T00:00:00.000-08:00

Alberto Besson, Specchio infranto, 100x120 cm, t.m. on canvas

One thousand pieces: artworks by Ramon Grosos (Romania), Zeinab Nour (Egypt), Alberto Besson (Italy).

http://www.gigarte.com/iscritto/index.php?id=364

A little vintage collection

2011-11-30T00:30:00.000-08:00

Marco Arduini, Aurelia 1960, acrylic and gauche on canvas, 50x50 cm, 2011

A little vintage collection featuring works by Italian artists Marco Arduini and Roberto Pinetta.

Enjoy it!

Marco Arduini, Club le Ruote 1975, acrylic and gauche on wood, 70x70 cm, 2008

Marco Arduini, In viaggio n°1, acrylic and gauche on wood, 83x79 cm, 2009, Private collection

Marco Arduini, 1960, acrylic and gauche on wood, 50x50 cm, 2010

Marco Arduini, Al Golf, acrylic and gauche on wood, 83x80 cm, 2009

Marco Arduini, In giallo 1970, acrylic and gauche on wood, 80x80 cm

http://www.marcoarduini.it/

A little vintage collection

2011-11-30T00:00:00.000-08:00

Roberto Pinetta, Gelato alla menta, 100x100cm

A little vintage collection featuring works by Italian artists Marco Arduini and Roberto Pinetta.
Enjoy it!

Roberto Pinetta, The Beatles

Roberto Pinetta, Elvis

Roberto Pinetta, Pop star, 70x90 cm

Roberto Pinetta, De Chirico work, 80x100 cm

Roberto Pinetta, La mia casa nuova, 80x120 cm

http://www.aiam.it/pinetta.htm

Faces and Bodies

2011-11-25T01:30:00.000-08:00

Vincenzo Lopardo, t.a.m., 250 x 200 cm, particular, acrylic on juta

http://www.vincenzolopardo.com/

Faces and Bodies

2011-11-25T01:00:00.000-08:00

Antonius Kho, Beauty, oil on canvas, 150 x 150 cm, 2011

Antonius Kho, from Indonesia

Antonius Kho, I miss you, oil on canvas, 140 x 90 cm, 2011

Antonius Kho, Me and my shadow, oil on canvas, 150 x 150 cm, 2011

Antonius Kho, Next!, oil on canvas, 150 x 150 cm

Antonius Kho, Sexy girl, oil on canvas, 140 x 90 cm

Antonius Kho, Sniper, oil on canvas, 100 x 70 cm

http://www.antoniuskho.com/

Faces and Bodies

2011-11-25T00:30:00.000-08:00

Natália Gromicho, Teatro, 2011, mixed technique, 201 x 90 cm

Natália Gromicho, A Despedida, 2011, mixed technique, 100 x 100 cm

Natália Gromicho, Despida, 2011, mixed technique, 40 x 30 cm

Natália Gromicho, from Portugal.

Natália Gromicho, Hermafrodita, 2011, mixed technique, 100 x 80 cm

Natália Gromicho, Homofobia, 2011, mixed technique, 100 x 100 cm

http://www.nataliagromicho.com/

Water, waters and sea

2011-11-21T01:00:00.000-08:00

Yong Man Kwon, Distributeur, 30x60 cm

Today three great artists talk to us about water.
This is Yong Man Know, from Paris.

Yong Man Kwon, Construction, 116x89 cm

Yong Man Kwon, Seine, 55x46 cm (x2)

Yong Man Kwon, Machine à café, 38x64 cm

http://www.yongmankwon.odexpo.com/

Water, waters and sea

2011-11-21T00:30:00.000-08:00

Tomás Castaño, Amarre en Raos, oil on canvas, 20x20 cm, 2009

Tomás Castaño, from Spain, describes water and sea, as well...

Tomás Castaño, Fuente de la Plaza de San Isidor Leon, oil on canvas, 81x65 cm

Tomás Castaño, El Malecón-Habana, oil on canvas, 38x46 cm

http://www.tomascastano.com

Water, waters and sea

2011-11-21T00:00:00.000-08:00

Elmadani Belmadani, Essaouira 2 Morocco, 38x64 cm

Elmadani Beldemani, from Taza, Maroc.

http://www.artabus.com/belmadani/

Life, Death, Struggle

2011-11-11T01:30:00.000-08:00

Johan Wahlstrom, It is boring to die, 2011

This second issue of Revolution # One is dedicated to life, to death as part of our lives, and to everyone who struggles and fights for life.
Johan Wahlstrom, with his work It is boring to die, gives us some beautiful suggestions...

I paint to keep myself insane.

I paint anxiety to be calm.

I paint war to have peace.

I paint sadness to be happy.

I paint the dark to be in the light.

I paint death to be alive.

I paint a story so that I don't have to tell astory.

“ It Is Boring To Die”

We all have to face thequestion about death. To me death is not onlywhen our physical life ends. There are many ways tolive a dead life. There are too many deadrelations in between families, friends, cultures and nations.

Don’t be afraid to openyour mind, your eyes and widen your views, dare to step out from theusual, dare to explore new grounds and let every day be the first and the bestday of the rest of your life."

Johan Wahlstrom

Johan was born1959 in Stockholm, Sweden, currently living in Mala

ga, Spain.

He's a VisualArtist, Musician, Composer, Traveler, Story Teller, Seeker, Believer,Dreamer, Lust For Life, Women.

http://www.johanwahlstrom.com/

Life, Death, Struggle

2011-11-11T01:00:00.000-08:00

Jana Jelovac, LOL - 2011, digital print 70 x 49 cm

This is the rebellious, raw, outspoken art of Serbian artist Jana Jelovac, in her project called Failure Factory.

"The project, made this summer, represents our current social, political and economy situation in Serbia. Particularly in my home town, Belgrade, which has been completely culturally destroyed by new-moneys and politicians. We have to run away from there on a large scale and find our happiness somewhere else in the big world. This country only takes and in return gives nothing. This is what Failure Factory is all about"

"I was born 1979, grew up in grey Belgrade blocks far from the city center, something that you can always feel in my works. I do not beautify reality, my art it is raw, rebellious and outspoken. It must transmit some kind of message."

Jana Jelovac

Jana Jelovac, What else - 2011, digital print 70 x 49 cm

Jana Jelovac, It is better with the culture - 2011, digital print 70 x 49 cm

Jana Jelovac, I hate you too - 2011, digital print 70 x 49 cm

Jana Jelovac, Locksmith was better - 2011, digital print 70 x 49 cm

http://www.boyacreative.blogspot.com/

Life, Death, Struggle

2011-11-11T00:30:00.001-08:00

Elisabetta D'Andrea, C'è chi vola, chi vorrebbe volare e chi non volerà mai- 2010, olio/ acrilico/collage su tela, 100x130 cm

This is Elisabetta D'Andrea, artist from Carrara, Italy.
Her works here on Revolution # One: "The ones who fly, the ones who would like to, the ones who will never fly", " Head upside down, head up", "Barking to the moon", "Barking to the dark".

Elisabetta D'Andrea, A testa in giù, a testa in sù - 2010, olio/ acrilico/ collage su tela, 100x130 cm

Elisabetta D'Andrea, Abbaiando alla luna - 2010, olio/ acrilico/ collage su tela, 100x130 cm

Elisabetta D'Andrea, Abbaiando alla notte - 2010, olio/ acrilico/ collage su tela, 100x130 cm

http://www.dandreaelisabetta.com/

Incipit Revolution # One!

2011-11-03T07:42:00.000-07:00

Incipit, Lorenzo Perrone, da Libri Bianchi.
Book, chalk, white paint, 54 X 28 X 30

Revolution # One comincia da qui.
Il primo "numero" di questo nuovo magazine on line non poteva trovare di meglio che le opere di Lorenzo Perrone, Libri Bianchi, per salutare e ringraziare i primi artisti che hanno creduto alla nostra iniziativa, i lettori ed i futuri lettori.

Revolution # One starts here.
The first "number" of this new on line art magazine could not find anything better than Lorenzo Perrone works, Libri Bianchi (White Books), to thank the artists who first trusted us, our readers and future readers.

"LibriBianchi sono libri veri sui quali infierisco con acqua e colla,spogliandoli del loro contenuto e ottenendo così un oggettodisanimato, una materia prima. Aquesto punto, la forma inequivocabile dell’oggetto e la suafunzione semantica sono rimasti intatti e io intervengo con gesso evernice bianca. Il bianco costringeall’attenzione, alla riflessione, porta aitempi lunghi, attutisce i rumori e i colori, lima le bave dei sensi. Cen’è bisogno. Allafine, liberate dal peso delle parole, le paginediventano simboliche e il “Libro Bianco”, nel suo immobilecandore, diventa ancora più eloquente e grida in silenzio per essereletto altrimenti." Lorenzo Perrone

Il vento è cambiato, Lorenzo Perrone

"White Books" are real books, that I mistreat, stripping them of their contents to achieve lifeless objects, a raw material. At this point, when the very shape of the object and its semantic function are intact, I operate using chalk and white paint. White forces people to pay attention, and stirs to reflection. We all need it. In the end, when pages are free from words weight, they become purely symbolic and "White Book", still and pure, gets more and more eloquent, as it screams silently to be red in a new way" Lorenzo Perrone

Leggimi forte, Lorenzo perrone

Mater, Lorenzo Perrone

http://www.lorenzoperrone.com/

Incipit Revolution # One

2011-11-03T07:40:00.000-07:00

Creazione, Paolo Granchi, white marble, cm 30 x 25 x 15

Italia, Paolo Granchi, white marble, cm 50 x15 x 15

Creazione: è un'altra delle parole chiave che vogliamo per Revolution # One!
Ed ecco il bianco e la materia di Paolo Granchi, scultore toscano, con la sua Creazione.

Creation: is another word we want for Revolution # One.
And this is the white, pure material of Paolo Granchi, Tuscan sculptor, whith his Creation.

Incipit Revolution # One

2011-11-02T00:00:00.000-07:00

Barbara Bonfilio, Nineteen Eighty-four #29, 2011. Acrylic on table, 140x80 cm

Parole: poche ed essenziali, saranno quelle di Revolution # One. Quelle di Barbara Bonfilio, artista torinese, escono da sfondi piatti e si accompagnano al colore. Ecco i ritratti di Barbara Bonfilio.
Words: a few and essential, will be the ones of Revolution # One. Barbara Bonfilio, from Turin, makes words coming out from plain surfaces along with colors. Barbara Bonfilio's portraits.

Barbara Bonfilio, Nineteen Eighty-Four #25, 2010. Acrylic on table, 100x120 cm

Barbara Bonfilio, No fur, 2011. Acrylic on table, 65x65 cm

http://barbarabonfilio.blogspot.com/

REVOLUTION # ONE

2011-10-24T02:58:00.000-07:00

Revolution # one è uno spazio divisibilità per tutti gli artisti, per ogni tipo di arte ed arteapplicata. Dalla fotografia alla pittura, dal food designall'artigianato artistico, ogni produzione è la benvenuta.

Revolution # one è un colpo d'occhiosul mondo multiforme e variegato dell'espressione contemporanea, chesi offre al pubblico come blog-magazine per chi cerca ispirazione,per chi è curioso, per chi vuole scoprire. Non ci sono critici, nonci sono recensioni: i lavori vengono pubblicati seguendoperiodicamente una tematica unificatrice che stuzzichi la curiositàdel lettore, e lo spinga ad approfondire il suo viaggio nelleimmagini.

Revolution # one è gratuito.

Revolution # one è fatto da Artsenal.

Revolution # one is a show space forall artists, for every kind of art and applied art.

From photography to sculpture, fromfood design to arts and crafts, every production is welcome.

Revolution # one is a glance on theever changing contemporary artistic expression world, that comes tothe reader as friendly blog-magazine.

Revolution # one is dedicated to theones who are curious and want to descover, or are just looking for aninspiration. No critics, no reviews: works are published following aperiodically changing theme, to stir reader's imagination and pushhim to carry on with his journey through images.

Revolution # one is free.

Revolution # one is made in Artsenal.